{"id":53,"date":"2019-09-01T16:28:45","date_gmt":"2019-09-01T14:28:45","guid":{"rendered":"https:\/\/test.beic.it\/mostre\/1919\/?p=53"},"modified":"2019-09-17T14:07:03","modified_gmt":"2019-09-17T12:07:03","slug":"alla-ricerca-del-tempo-perduto","status":"publish","type":"post","link":"https:\/\/digital.beic.it\/mostre\/19-19\/2019\/09\/01\/alla-ricerca-del-tempo-perduto\/","title":{"rendered":"Marcel Proust, Alla ricerca del tempo perduto"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Fra gli estimatori di <\/span><i><span style=\"font-weight: 400;\">Mitsou <\/span><\/i><span style=\"font-weight: 400;\">ci fu Marcel Proust, il quale dichiar\u00f2: \u201cHo un poco pianto stasera, per la prima volta dopo molto tempo, eppure da un pezzo sono oppresso da dispiaceri, da sofferenze, e da seccature. Ma se ho pianto non \u00e8 per tutto questo, \u00e8 leggendo la lettera di Mitsou\u2026 Le due lettere finali sono il capolavoro del libro\u201d. Proust, celeberrimo autore dell\u2019opera in sette volumi <\/span><i><span style=\"font-weight: 400;\">Alla ricerca del tempo perduto <\/span><\/i><span style=\"font-weight: 400;\">(<\/span><i><span style=\"font-weight: 400;\">\u00c0 la recherche du temps perdu<\/span><\/i><span style=\"font-weight: 400;\">)\u00a0<\/span><span style=\"font-weight: 400;\">lavor\u00f2 alla stesura del suo capolavoro anche durante la guerra e riusc\u00ec a <\/span><span style=\"font-weight: 400;\">pubblicarne soltanto nel <\/span><span style=\"font-weight: 400;\">1918<\/span><span style=\"font-weight: 400;\"> il secondo volume dal titolo <\/span><i><span style=\"font-weight: 400;\">All&#8217;ombra delle fanciulle in fiore<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">\u00c0 l&#8217;ombre des jeunes filles en fleurs<\/span><\/i><span style=\"font-weight: 400;\">) presso l&#8217;editore Gallimard. Nel 1919 Proust per questo romanzo fu insignito del prestigioso premio letterario Goncourt.<\/span><\/p>\n<h3><b>\u00a0Marcel Proust,<\/b><b><i> In Search of Lost Time<\/i><\/b><\/h3>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Marcel Proust showed his appreciation for the novel writing: \u201cI cried a bit tonight, for the first time after so long, I have been oppressed by grief and trouble for a long time, but I did not cry for this reason, I cried while writing Mitsou\u2019s letter. The last two letters of the book are a masterpiece.\u201d Proust, the renowned author of the novel in seven volumes <\/span><i><span style=\"font-weight: 400;\">In Search of Lost Time<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">\u00c0 la recherche du temps perdu<\/span><\/i><span style=\"font-weight: 400;\">), had the second part of his work <\/span><i><span style=\"font-weight: 400;\">In the Shadow of Young Girls in Flower<\/span><\/i> <span style=\"font-weight: 400;\">(<\/span><i><span style=\"font-weight: 400;\">\u00c0 l&#8217;ombre des jeunes filles en fleurs<\/span><\/i><span style=\"font-weight: 400;\">) <\/span><span style=\"font-weight: 400;\">published by Gallimard in 1918, the delayed publication being a consequence of the outbreak of the war. In<\/span><span style=\"font-weight: 400;\"> 1919 this novel was awarded the Prix Goncourt.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fra gli estimatori di Mitsou ci fu Marcel Proust, il quale dichiar\u00f2: \u201cHo un poco pianto stasera, per la prima volta dopo molto tempo, eppure da un pezzo sono oppresso da dispiaceri, da sofferenze, e da seccature. Ma se ho pianto non \u00e8 per tutto questo, \u00e8 leggendo la lettera di Mitsou\u2026 Le due lettere &hellip;<br \/><a href=\"https:\/\/digital.beic.it\/mostre\/19-19\/2019\/09\/01\/alla-ricerca-del-tempo-perduto\/\" class=\"more-link pen_button pen_element_default pen_icon_arrow_double\">Continua a leggere <span class=\"screen-reader-text\">Marcel Proust, Alla ricerca del tempo perduto<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":79,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/posts\/53"}],"collection":[{"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":5,"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/posts\/53\/revisions"}],"predecessor-version":[{"id":347,"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/posts\/53\/revisions\/347"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/media\/79"}],"wp:attachment":[{"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/media?parent=53"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/categories?post=53"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/digital.beic.it\/mostre\/19-19\/wp-json\/wp\/v2\/tags?post=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}